A few weeks ago, I had the pleasure of touring the
Organization of American States original headquarters with the
ICA. Now, I've had a love affair with this building since early college when I had a (45 page!) term paper I wrote on the building, designed by Paul Cret and finished in 1910; so you can imagine how excited I was to actually take a tour (I had never been inside).
Rather than jump in with the main building, however, I'll start small with an auxiliary building I had never noticed behind the main structure that started life as the house for the director of the organization.
Located behind the main building at 18th and Virginia Avenues, NW, it's hard to imagine anyone living here in noisy tourist central (other than at
1600 Pennsylvania Avenue across the street of course!). Remember though, when it was built, the national mall and the monuments mostly did not exist. Instead, a canal, warehouses, random farmhouses and marshland were its' neighbors. It really was the edge of town.
What struck me first about the house were the small porportions. Look at the guard in the front doorway -that is SHORT! This is a
private space. Immediately inside is the staircase: graceful but purely residential.
The house was turned into an art museum for the organization a number of years ago. The exterior loggia on the rear of the house, which faces the Pan American building creating a courtyard, was enclosed to provide security and also extra display and entertaining space.
Imagine this space being open to the lovely courtyard and pool; This is a LOVELY room.
Much like the adjacent Pan American building, Cret and his staff designed all of the tile work and ornament found throughout. In Beaux arts design, the most detail is found in the most important space and the spaces leading up to it become more ornate as you progress. Therefore, the exterior of the house remains very plain out of heirarchy to the main building.
However, within the house itself, this exterior room was treated as a special space: a destination. It makes sense, who wouldn't want to spend time here; breakfast, lunch and dinner!
I love the contrast between the natural terracotta and the turquoise glazing. All of the figures in the decoration reflect the union of North and South American design.
I love the grillwork on the doors back into the house. These details are where Beaux Arts style thrives in my opinion.
The tilework doesn't stop at the loggia, the guardrail down to the pool off the rear terrace also features some amazing detail.
Even the bronze benches designed for the space reflect the Mayan motif's found throughout. Everything is part of an integrated design, no detail was forgotten.
I will be showing more of my pictures from the main building next week, stay tuned; it will blow your socks off!
A few weeks ago, I had the pleasure of touring the Organization of American States original headquarters with the ICA. Now, I've had a love affair with this building since early college when I had a (45 page!) term paper I wrote on the building, designed by Paul Cret and finished in 1910; so you can imagine how excited I was to actually take a tour (I had never been inside). 
Located behind the main building at 18th and Virginia Avenues, NW, it's hard to imagine anyone living here in noisy tourist central (other than at 1600 Pennsylvania Avenue across the street of course!). Remember though, when it was built, the national mall and the monuments mostly did not exist. Instead, a canal, warehouses, random farmhouses and marshland were its' neighbors. It really was the edge of town.
However, within the house itself, this exterior room was treated as a special space: a destination. It makes sense, who wouldn't want to spend time here; breakfast, lunch and dinner!
I love the contrast between the natural terracotta and the turquoise glazing. All of the figures in the decoration reflect the union of North and South American design.
I love the grillwork on the doors back into the house. These details are where Beaux Arts style thrives in my opinion.
The tilework doesn't stop at the loggia, the guardrail down to the pool off the rear terrace also features some amazing detail.
I will be showing more of my pictures from the main building next week, stay tuned; it will blow your socks off!
I have always loved the fountain in the parterre but never thought much of the pattern which runs along the base. Even on a (rare) cloudy day in DC, the water would sparkle as it hit the points of the pattern; ingenius detailing.
I have to remember to get out and explore the city even when I don't have the excuse of a guest in town. Hope you had a great weekend as well!
In this issue was the much talked about restored ancestral home of John Coote, Bellamont Forest, which he had put on the market (seen in these top 3 photographs). I especially love the main saloon seen in the top image -who knew I could like pink! I especially am into that ceiling and those yummy white slipcovered armchairs.
"It was a singularly mixed world composed of all the talents and tarnished by all the vices; a world where the same fatigue and the same fever appeared in every face" Emile Zola in 
While reading these lines on the beach last week, I immediately thought of the Palais Garnier in Paris, otherwise known as the Paris Opera House. Indeed, the whole book has me thinking of the age of opulence.
Rather than talk about the ornate-ness of the building, I'll let the pictures speak for themselves.
The famous grand staircase, rather dimly lit and hard to capture with my little camera.
One of many hallways meant to contain crowds gathered here to socialize; love the oak chevron patterned floors.
The grand foyer, possibly the most over-the-top room I've ever set foot in; it took my breath away.
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