Just in time for summer Rizzoli has a new, soon-to-be-released book about the ubiquitous beach house: Summer Houses by the Sea: The Shingle Style by Bret Morgan. Of course I have to lead this post with the most famous house featured in the book, Grey Gardens, which recently sold.
What makes this book different from others on the same subject is not only the never-before-published, full-page photographs to drool over but FLOORPLANS for many of the houses! I know that will draw some attention from ArchitectDesign readers!
Not all of the houses featured are turn of the last century either, with many new builds and even some modern projects such as this sinuous house built for a scientist, seen above, in Seal Harbor by architect Peter Forbes. I love the little 'labs' on the roof.
My favorite of the featured houses though has to be the gambrel roofed Mallinckrodt Cottage from 1898, seen above, in Jamestown, RI. Notice the charming views from the living room windows below. If one has to be indoors at a beach house you may as well have water views (including views of other houses!) and a fireplace.
The sweeping screened porch of Rosserne, below, in Northeast Harbor isn't so bad either! Nap time on that chaise longue perhaps?
I think Summer Houses by the Sea: The Shingle Style is the perfect addition to any design library as the definitive grouping of the style: definitely check this one out!
All images © Bret Morgan
Showing posts with label floorplans. Show all posts
Showing posts with label floorplans. Show all posts
Thursday, April 18, 2019
Thursday, August 21, 2014
Manhattan Classic, New York's Finest Prewar Apartments
I was very excited to recently receive a copy of Princeton Architectural Press's new book "Manhattan Classic" by Geoffrey Lynch, pictured below, (from the firm H3 Hardy Collaboration Architecture) which features the best 'Prewar' apartment buildings in NYC.
This well organized book starts with a map of NYC which shows the location of the buildings covered. Each chapter then features an exemplary floorplan of the prime unit in each building as well as photos of additional apartments. In many ways it reminds me a lot of Washingon, DC's version of this (our real estate bible!) Best Addresses by James Goode (another book I can't recommend more highly!)
For architectural floorplan lovers like me you won't be able to put this book down - pure floorplan porn with over 84 apartments featured!
Some of the images you may recognize such as this apartment from 998 Fifth Avenue but it's interesting to see them placed within their buildings and area of the city -putting a name to the face so to speak. I love this dining room above and the staircase located within the same duplex apartment, seen below, is even more stunning!
Some people may sneer at apartment living as 'small' but this book proves that the dwellers of these apartments aren't missing out on anything from a single family home! Pick up your own copy of the book today and settle down with a glass of wine to study the floorplans; I promise you won't regret it!!
This well organized book starts with a map of NYC which shows the location of the buildings covered. Each chapter then features an exemplary floorplan of the prime unit in each building as well as photos of additional apartments. In many ways it reminds me a lot of Washingon, DC's version of this (our real estate bible!) Best Addresses by James Goode (another book I can't recommend more highly!)
For architectural floorplan lovers like me you won't be able to put this book down - pure floorplan porn with over 84 apartments featured!
Some of the images you may recognize such as this apartment from 998 Fifth Avenue but it's interesting to see them placed within their buildings and area of the city -putting a name to the face so to speak. I love this dining room above and the staircase located within the same duplex apartment, seen below, is even more stunning!
Some people may sneer at apartment living as 'small' but this book proves that the dwellers of these apartments aren't missing out on anything from a single family home! Pick up your own copy of the book today and settle down with a glass of wine to study the floorplans; I promise you won't regret it!!
Tuesday, May 13, 2014
Lutyen's British Embassy: Main Stair
The main staircase at the British Embassy was designed by Lutyens to awe all visitors and make a grand statement. The entrance to the embassy is somewhat discreet.
One arrives underneath a classical porte cochere in the center of the complex (underneath D on the plan above) and into the main stairhall; the residence is a piano nobile design which cleverly aids the hilly topography - but we'll get into that later.
Symmetry and classical design reign on the exterior; a rather quiet facade gradually gives way to grandeur as one enters the residence.
Many of the light fixtures throughout were custom designed - the fluorescent light bulbs are really unfortunate but do not hurt the fundamental beauty of the lantern.
Upon entering through french doors directly to one's left is a bust of the architect, Edwin Lutyens.
Light pours into the lower level from windows above inviting one up. Further emphasizing this ascent are the walls which turn from heavy Indiana limestone to a lighter plaster.
I loved the cascade of the lower risers which leads one to a short landing and the cloak rooms.
The most impressive detail of the space is the railing itself. Below is a sketch by Lutyens from early on in the design in 1925.
As you can see it didn't change much. This motif graces the endpapers of the new book on the embassy as well; The Architecture of Diplomacy.
I love the furnished landings and I'll again point out the print gallery walls as well, installed in 2012.
Symmetry is key in the stair hall as throughout the residence. The interior window below to the right opens into an interior room: the morning room. Lutyens commonly designed such interior windows into his residential projects; supposedly so children could watch the festivities during parties! A false mirrored window stands opposite the landing to attain this perfect symmetry.
The placement of these ginger jars is perfection.
The ladies cloak room off the stairhall features Fornasetti's very stylish 'Teatro' wallpaper -manufactured by a very British company naturally, Cole & Son. I loved these lanterns which flanked the opening.
The entry to the public spaces of the residence feature ornate plaster-work as well as lovely urns on pedestals.
A closeup of the plaster work reveals native flowers with classical figures.
One arrives underneath a classical porte cochere in the center of the complex (underneath D on the plan above) and into the main stairhall; the residence is a piano nobile design which cleverly aids the hilly topography - but we'll get into that later.
Symmetry and classical design reign on the exterior; a rather quiet facade gradually gives way to grandeur as one enters the residence.
Many of the light fixtures throughout were custom designed - the fluorescent light bulbs are really unfortunate but do not hurt the fundamental beauty of the lantern.
Upon entering through french doors directly to one's left is a bust of the architect, Edwin Lutyens.
Light pours into the lower level from windows above inviting one up. Further emphasizing this ascent are the walls which turn from heavy Indiana limestone to a lighter plaster.
I loved the cascade of the lower risers which leads one to a short landing and the cloak rooms.
The most impressive detail of the space is the railing itself. Below is a sketch by Lutyens from early on in the design in 1925.
As you can see it didn't change much. This motif graces the endpapers of the new book on the embassy as well; The Architecture of Diplomacy.
I love the furnished landings and I'll again point out the print gallery walls as well, installed in 2012.
Symmetry is key in the stair hall as throughout the residence. The interior window below to the right opens into an interior room: the morning room. Lutyens commonly designed such interior windows into his residential projects; supposedly so children could watch the festivities during parties! A false mirrored window stands opposite the landing to attain this perfect symmetry.
The placement of these ginger jars is perfection.
The ladies cloak room off the stairhall features Fornasetti's very stylish 'Teatro' wallpaper -manufactured by a very British company naturally, Cole & Son. I loved these lanterns which flanked the opening.
The entry to the public spaces of the residence feature ornate plaster-work as well as lovely urns on pedestals.
A closeup of the plaster work reveals native flowers with classical figures.
Join me in following posts for more on the public spaces of the British Embassy.
Labels:
Architect,
British Embassy,
DC,
embassy,
floorplans,
history,
Interiors,
Lutyens,
stair,
Washington
Monday, May 12, 2014
The most beautiful stair in Washington: Lutyen's British Embassy
My favorite part of the tour of the British embassy was seeing the small private stair which leads from the public rooms to the private spaces of the residence; this is probably the most beautiful stair I've seen in DC.
Lutyens took particular care with his staircases as he enjoyed the drama and panache they provide to any structure. Here he took a circular stair one step further by incorporating a circle into the iron handrail.
The floorplan above shows the location of the private stair (L). The circle made for a compact stair that could fit to the side of the public circulation.
The treads are limestone cantilevered (in parts) from the limestone walls. To provide a graceful ascent Lutyens designed many of his stairs with very short risers and long treads.
Displayed in the stairwell is this colorful silk banner of the Royal Arms once owned by William IV.
A window on the 2nd floor allows natural light into the space.
A very regal portrait graces the top landing - Queen Victoria perhaps? I'll share a very different stair from the house shortly, the Grand staircase.
Floorplan from The Architecture of Diplomacy, The British Ambassador's Residence in Washington. Photographs are my own.
Lutyens took particular care with his staircases as he enjoyed the drama and panache they provide to any structure. Here he took a circular stair one step further by incorporating a circle into the iron handrail.
The floorplan above shows the location of the private stair (L). The circle made for a compact stair that could fit to the side of the public circulation.
The treads are limestone cantilevered (in parts) from the limestone walls. To provide a graceful ascent Lutyens designed many of his stairs with very short risers and long treads.
Displayed in the stairwell is this colorful silk banner of the Royal Arms once owned by William IV.
A window on the 2nd floor allows natural light into the space.
A very regal portrait graces the top landing - Queen Victoria perhaps? I'll share a very different stair from the house shortly, the Grand staircase.
Floorplan from The Architecture of Diplomacy, The British Ambassador's Residence in Washington. Photographs are my own.
Labels:
Architect,
British Embassy,
DC,
embassy,
floorplans,
Interiors,
Lutyens,
stairs,
Washington
Friday, March 28, 2014
Chapin Residence floorplan
One of my favorite books that I've mentioned before is the monograph of H.T. Lindeberg's residential work. Many of his smaller projects are shown including just these 3 intriguing photographs of a rather odd house in Lake Forest, Illinois in 1926 for Lowell C. Chapin, Esq.
If you study the plan you'll notice that the house consists of a rather small entry vestibule and an enormous living room. Thats all for public space! A warren of servants quarters fill the remainder of the first floor while the 2nd floor holds 4 bedrooms. Strange but ultimately practical.
And as you can see the 'simple' house packs a lot of punch with that steep French roofline. Rather a quirky house and it leads me to wonder how it has changed over the past 90 years or is even still extant.
If you study the plan you'll notice that the house consists of a rather small entry vestibule and an enormous living room. Thats all for public space! A warren of servants quarters fill the remainder of the first floor while the 2nd floor holds 4 bedrooms. Strange but ultimately practical.
And as you can see the 'simple' house packs a lot of punch with that steep French roofline. Rather a quirky house and it leads me to wonder how it has changed over the past 90 years or is even still extant.
Labels:
architects,
books,
floorplans,
houses,
Lindeberg,
photography
Thursday, January 9, 2014
Le Pavillon de Madame, Verailles
As promised here I bring you another small mansion from the book "The smaller houses and gardens of Versailles", this one simply entitled "Le Pavillon de Madame". While the address is stated, 63 Avenue de Paris, I can't find any information about the house and according to a googlemap search it has either been torn down since 1926 or the address has changed. If anyone has any information I would appreciate learning more!
The house is a delightful arrangement in the French tradition in that there is no front facade and each of the 4 facades is equally attractive.
The exterior is a light grey painted stucco to mimic limestone with a rusticated base and quoins (corner treatment) on the upper floor. The mansard roof is slate while the beautiful dormers are of lead.
The plan is unusual in that it is laid out as a town house. The dining room on the main floor opens to the garden and terrace with kitchens and service spaces surrounding it. Only up the staircase are the other rooms you'd expect to find on the ground level. Even in a small house such as this there is a stair for the master and another for the servants.
The house contains only one bedroom going back to what I talked about in the last post HERE that these houses were private retreats from the palace of Versailles and not meant for entertaining or even families.
The rooms are all small and cozy but feature fine detailing such as this painted boiserie in the entry hall which the article states was painted white.
The stair has interesting faux-marble painted boiserie and patterns that I think show the 18th century interest in the discovery of Herculaneum and Pompeii. Notice the beautiful chevron patterned floors.
Behind the front hall the dining room continues the chevron floors with pale green painted boiserie covering the walls. Notice the painted scenic overdoors.
This is probably the most charming room in the house, don't you think, with French doors opening out to the terrace?
The eclectic array of furniture is very of the 1920s and today for that matter; a very comfortable arrangement.
This seating group by the fireplace is probably where the owner spent a lot of time before and after meals.
Upstairs the boiserie is left natural and unpainted with the carved details picked out in gold leaf. The chandelier is of course more in the French taste while the assortment of furniture almost feels English to my eye.
No shortage of light or garden views from up here either. I love how the chandelier reflects the light even without the electricity turned on.
It pains me to think this may have been torn down! What do you think -could you live in a mini mansion such as this? Live stylishly in a smaller space is what this house screams to me!
The house is a delightful arrangement in the French tradition in that there is no front facade and each of the 4 facades is equally attractive.
The exterior is a light grey painted stucco to mimic limestone with a rusticated base and quoins (corner treatment) on the upper floor. The mansard roof is slate while the beautiful dormers are of lead.
As you can see in the site plan above the house is situated in an enormous garden which hides the surrounding houses. It provides a very formal French garden which is in fact a potager or kitchen garden -where flowers mingle with fruits and vegetables. At the end of a path is the orangery where more exotic fruits and plants could grow.
The tall trees surrounding the garden not only hide the neighbors but other agricultural necessities; a chicken run, a rabbitry, and numerous outbuildings.The plan is unusual in that it is laid out as a town house. The dining room on the main floor opens to the garden and terrace with kitchens and service spaces surrounding it. Only up the staircase are the other rooms you'd expect to find on the ground level. Even in a small house such as this there is a stair for the master and another for the servants.
The house contains only one bedroom going back to what I talked about in the last post HERE that these houses were private retreats from the palace of Versailles and not meant for entertaining or even families.
The rooms are all small and cozy but feature fine detailing such as this painted boiserie in the entry hall which the article states was painted white.
The stair has interesting faux-marble painted boiserie and patterns that I think show the 18th century interest in the discovery of Herculaneum and Pompeii. Notice the beautiful chevron patterned floors.
Behind the front hall the dining room continues the chevron floors with pale green painted boiserie covering the walls. Notice the painted scenic overdoors.
This is probably the most charming room in the house, don't you think, with French doors opening out to the terrace?
The eclectic array of furniture is very of the 1920s and today for that matter; a very comfortable arrangement.
This seating group by the fireplace is probably where the owner spent a lot of time before and after meals.
Upstairs the boiserie is left natural and unpainted with the carved details picked out in gold leaf. The chandelier is of course more in the French taste while the assortment of furniture almost feels English to my eye.
No shortage of light or garden views from up here either. I love how the chandelier reflects the light even without the electricity turned on.
It pains me to think this may have been torn down! What do you think -could you live in a mini mansion such as this? Live stylishly in a smaller space is what this house screams to me!
Labels:
books,
floorplans,
Gardens,
history,
houses,
Interiors,
photography,
small living,
versailles
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