Wednesday, February 8, 2017

If it ain't baroque - Karlskirche, Vienna

Vienna is a city known for its' baroque architecture and within that city the best example is the Karlskirche.
Consecrated in 1737 the Roman Catholic church was built by Emperor Charles IV in honor of the saint Charles Borromeo.   Borromeo is revered as the saint of plague sufferers and Vienna had suffered its last tremendous plague in 1712 (construction began in 1713). 
The prolific Viennese architect Johann Bernhard Fischer von Erlach designed the church which was later finished after his death by his son Joseph Emanuel.
 Located in the narthex is this wonderful clay model of the church.
 Above the altar the gold statue represents the symbol Yahweh. The high altarpiece below shows the intercession of Charles Borromeo.
 Many of the churches in Vienna had wonderfully ornate glassy interior bay windows overlooking the Apse.  I can't help but wonder who these were built to house!
 Many of the frescos are by the important artist Daniel Gran and were recently restored. Gran's restrained later works (such as that here at Karlskirche)  were a precursor of classicism after the excesses of the baroque.
 Notice the huge marble columns. I love the little pavilion type confessionals.
 Even the pews are marvelously designed.
 A number of the side chapels are just as beautiful as the main Altarpiece. A bit of trivia...actress Hedy Lamarr was married here in 1933!
 The impressive walnut front doors are deceptively large but only opened for special occasions. One enters now through the side pavilions seen flanking the church.
I loved these simple candlesticks mounted to the wall in contrast to the ornate decorative scheme.
 Have you noticed the steel scaffolding in a few of the pictures? In order to raise funds for the maintenance of the church, after the restoration the church left a platform below the dome that one can ascend to view the dome's frescos up close and personal, as well as enter the higher lantern atop the dome to take in views of the city.
It's a tad shaky but I was assured it was safe! An elevator takes you to the base of the dome. From there stairs take you up into the lantern.
 This is an adventure not for those afraid of heights.
 Shall we go up?
 From the various landings one gets up close to the wonderfully colorful frescos. These figures are all life size or more.
 You'll want to spend your time soaking in all of the many stories told by the figures.
 I easily spent an hour admiring the many paintings.
 Notice the double ringed walkway around the exterior. I wish I could have explored in there!
 Don't forget to click on the photos to enlarge them to see the details.

From the floor of the church the base of the lantern (at the top of the dome) appears to be marble. However up close it's a very crude faux-marble technique.
 The details of these corbeled brackets is lost to those on the ground.
 Once you reach the top landing you are treated to the ceiling fresco on the lantern.
 And marvelous 360 degree views of the city!
This was one of my favorite sites in Vienna and I hope if you ever find yourself in Austria you will visit the Karlskirche.
 Visit their official website HERE.



Wednesday, January 18, 2017

More sumptuous Italian style - Gallery Doria Pamphilj

My last post on the Villa Borghese proved so popular I thought I would share another Roman palace with you, the Gallery Doria Pamphilj, which is also open to tour.
Begun in the early 17th century by the Pamphilj family the Palazzo is arguably the largest in Rome and still family owned and occupied!
 Added onto over successive generations the building is enormous and encompasses numerous different wings and courtyards, as seen by the ground floor plan above.
If one tours the art gallery or private apartments you now enter off the Via del Corso through a beautiful courtyard, seen above. As the family is still in residence signs of daily life such as parked cars are evident throughout the building.
Through a parking court and up a flight up stairs are the public galleries from the 18th century which make up the public art museum.
These grand spaces definitely feel public but with a family as important as the Pamphilj one was meant to be impressed and possibly overwhelmed.
The first room one enters on the tour is the reception room, which had been closed to the public until recently. On the audio tour the current Prince tells how this room was rented out by a bank for decades and used for their yearly board meeting and otherwise was kept under lock and key.
 So glad we are able to enjoy it now! Love the marble bolection mould fireplace surrounds.
 One wouldn't feel in a European palace if there weren't numerous enfilades to admire.
The current prince talks about roller skating through these rooms as a child on the audio guide!
Notice the velvet covered walls in this space.
The ballroom was decorated much later in the early 20th century for the coming out ball of the Prince's aunt and joined together 2 rooms so that it would be large enough.
Many great musicians have performed in the musician's gallery, seen below, including George Frideric Handel performing works he wrote for the family!
The ceilings of the private chapel are trompe-l'oeil to appear like a clerestory. Very convincing from certain angles even centuries later!

The real draw of the tour are the art galleries which surround the front courtyard referenced earlier in the post.
Even the ceilings are highly decorated with ancient painting.
I loved this 17th century painting of Noah.
This bust of Olimpia Aldobrandini Pamphilj is important because she was one of the founders of the collection. She had it commissioned from Giovanni Lazoni da Carrara as an old woman showing her when she inherited her fortune as a teenager.
The detailing to the wall painting is astounding.
Imagine touring these rooms by candlelight?
All of the rooms are lit by ancient Murano glass chandeliers naturally.
More trompe l'oeil ceilings.
Commemorative busts of previous generations dot the galleries.
Have I mentioned how much I love an enfilade?


One can also take a tour of the private apartments, starting with this room above, to see how the family lived in the 20th century amongst such splendor.  We were too overwhelmed to see even more so saved it for our next Roman holiday!

This spectacular bust of Olimpia by Alessandro Algardi features astonishing paper thin carving of her veil.
The sculpture room was damaged during a snow storm in the 1950s when the ceiling caved in. It took decades for the sculptures to be restored and pieced back together. Many were broken into thousands of pieces!
One would never know by looking at them that they had ever been damaged.
The Centaur Furietti Vecchio above was shattered into smithereens but stands proud once again.
The oldest part of the palazzo houses the pre-Renaissance collection naturally.
Don't miss this stunning collection if you find yourself in Rome -the Gallery Doria Pamphilj!
Sidenote: across the Via Lata from the palazzo is the charming Fontana del Facchino from the 15th century, seen above, which is one of the 'talking fountains' of Rome. These are satirical fountains offering pure water to the public after 600 years! Rome is full of surprises.