Truth is sometimes stranger than fiction. These gorgeous shells, on display at the Smithsonian Castle, are similar to intricate jewelry. They are part of the exhibit The Smithsonian Institution, America's Treasure Chest.
I urge you all to visit the historic Smithsonian castle and check out the treasures of the institution! And just to accompany these gorgeous shells, a gorgeous voice singing about the fishes in the sea....Nina Simone, Feeling Good 
Have weekend plans here in DC? Why not stop by the National Gallery of Art to see the current show entitled Venice: Canaletto and his rivals. Canaletto seems to be in the air here in DC, with numerous galleries and antique shops throughout Georgetown showcasing paintings in similar style. 
At the entrance to the exhibit is an original 19th century gondola that was purchased by the artist Thomas Moran and brought to his house on Long Island.
The timing seems ideal as I'm currently obsessed with the Venetian fantasy that is Vizcaya. You'll find me at NGA on Saturday! 
The most interesting parts of any house museum, in my opinion, are the service spaces.
Vizcaya was planned primarily around the public and entertaining rooms, which leaves only awkward leftover spaces for the numerous servants which were required in this time period. Oddly enough, the kitchen is on the 2nd floor, not in the basement (but we'll get to that later!). 
The first of these service spaces is a cupboard off the dining room (marked passage on the plan above in blue). Functioning as a small butler's pantry, the space also worked as a hall between the dining room and tea room so had to be attractive.
The ceiling has a gorgeous painted wood ceiling with painted wood gates hiding the service cupboard which houses china storage and wash-up sink. The gilded English china seen here has an interesting story which I'll talk about at the end of this post. PS: don't you just love these painted wood cabinets?
Located on the opposite side of the Tea Room (seen on the plan above in green), the main butler's pantry is larger than most modern household kitchens. The room boasted the most modern of conveniences for the time period, including the electric annunciator panel above which showed where a servant was required when rung for.
Another modern contraption was the master clock, seen behind the cabinets above, which controlled the time on 10 clocks throughout the house (much like many schools have today).
Above you can see the painted door into the tea room. The open countertops have been converted into glassed-in display cases for the many sets of china Vizcaya posesses. 
Above is the yacht china which was in Deering's yacht moored at Vizcaya. It bears the New York Yacht Club emblem as well as his own. The china is rimmed in silver to protect it from chipping on bumpy voyages.
The china seen here was ordered by Deering from England for his house in Chicago and was originally brought over, unfortunately, on the Titantic. The china obviously had to be remade and was shipped over a few years later (hand gilding isn't fast!) 
By this point Vizcaya had been completed so it was brought here where it remains to this day. The originally ordered china, however, still lies at the bottom of the Atlantic. No word however on whether the White Star Line covered the replacements; does anyone know? Now THATS a story!
April 2-7 is an important time for the interior design world: High Point Market in North Carolina. Comparable to the fashion shows which fill Bryant Park each season, High Point Market showcases the latest wares being offered by furniture companies such as Century, Theodore Alexander, Sligh, and Hooker Furniture who are sponsoring a number of us design bloggers to attend this years events. Let me know if you are there, I would love to say hi! See you at Market!
The Tea Room (or Enclosed Loggia as it was originally known) is probably the most beautiful room in the house, if not in all of Florida! Tooting his own horn, Chalfin himself called it an 'enchanted room'.
Facing the Italian gardens, the room leaves the Renaissance behind and is decorated in an early Neoclassical style from the 18th century. 
The room was originally furnished with highly colored striped upholstered pieces and small tables on a highly stylized marble mosaic floor made in New York and shipped in pieces. See an older photograph of the space below.
The wall paintings depict Neapolitan scenery and date to the late 18th century. 
The table above is the only piece of furniture left and is original to the room.
The gilded wrought-iron gates that lead into the courtyard were bought before the house was designed from the Villa Pisani in Venice.
Their height required a high ceiling which was taken from the rooms above which have a raised floor level. The red Verona marble door surround is original to the Villa Pisani as well. 
Despite all of this ornamentation, what really steals the show for me at least is the ceiling. 
Painted creams, pinks and blues, I think the plaster ceiling resembles a piece of delicate Wedgwood.
The stained glass doors look out onto the garden and feature Chalfin's favored seahorse motif. 
This painted leather door leads into a butler's pantry which seperates the space from the dining room. 
The arched gates into the courtyard echo the stained glass nicely.
I think this is my favorite room at Vizcaya so far, what do you think?
Just beyond the Loggia from the living room is the small Music room, which acts as an anteroom to the Dining room; an impressive march from pre-dinner cocktails to the meal itself sure to impress the guests!
Continuing the total mix of styles, the music room is a cozy little room straight out of a Venetian palazzo from the mid 18th century, pure frivolity and mood.
The designer, Chalfin, was said of this mood "Some one seems to lurk here, wearing old creamy satin, looking into dim mirrors at strings of pearls and corals upon a narrow and corseted bosom, ready with facile musical sighs" A tad dramatic maybe but very evocative; it is after all a very dramatic space.
The walls are paneled with scenes painted on canvas and surrounded with gilded wood moldings, seashells, coral and 18th century Venetian blown glass flowers. 
Contemporary furnishings of the time period join a host of antiques including an Adam harp, a 17th century Italian spinet and a gilded Italian zither giving the music room its name. 
The 18th century Venetian chandelier adds some more frivolity to the space; talk about letting them eat cake! 
After the beautiful fluff of the music room, one moves into the rational of the Renaissance once again in the dining room,or as Chalfin liked to call it, the banquet hall. 
The decor dates to the mid 16th century and features Flemish tapestries from that time period, among the great treasures of the estate. Marble floors in the music room give way to staid Floridian terrazzo (admittedly still marble, but a different variation). 
Scavenged Roman columns again hold torchieres as in the Living room; I like the continuity.
The ceiling is a copy from the Palazzo Gonzaga in Mantua but the furniture is authentic; ranging from the 15th thru 17th centuries, much of it originating from monasteries.
While certainly impressive, it's not a very cozy or welcoming room and was rarely used. Rather, Deering preferred to eat al fesco in the courtyard or on the terrace.
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