On Cape Cod last month I noticed this charming cottage while on a bike ride and had to stop to take pictures like any self respecting architect. What I really appreciated was the playful trimwork and beautiful colors used; vintage yet fresh.
Oddly enough this house is only a block away from another I featured a few years ago, Carpenter's Gothic and has the same beachy charm.
I won't comment on the fake roofing material but the natural wood shingles and shades of green trim have my vote! What do you think?
Leaving the playful rococo style seen in the last post, Amalienburg, we now visit Fulda, Germany, to tour the baroque masterpiece of Fulda Cathedral. The baroque style was a direct response to the rococo and was based on more serious Romanesque architecture. The ornament is restrained with lots of 'blank space' for contrast to let the eye rest.
My Australian penpal on his most recent European adventure had little to say about the cathedral, I think in part because this restraint in comparison to the over-the-top'ness of the profuse German rococo can be somewhat underwhelming. This architectural purity of the baroque style appeals to me personally though.
The Cathedral was designed in 1700 by the German baroque architect Johann Dientzenhofer after a visit to Rome. Dientzenhofer was clearly inspired by St Peter's Basilica, a masterpiece from the Renaissance which every great architect and artist had worked on: Bernini, Michelangelo, Maderno, and Bramante to name a few. Who wouldn't be inspired?
As with most churches, light is everything.
I think it's interesting to note that unlike both earlier and later churches, stained glass wasn't a feature -here the light, space, and the architecture itself are left to speak.
One of the most noted features of this Cathedral is the world famous pipe organ which you can read about here if you're interested. Personally I always think of music when I imagine the baroque period so having a masterful pipe organ in this church makes sense!
It may be baroque but the rococo qualities are still seen in the sculptures.
What I love about a baroque church is that the ornament is purposeful -one knows where to look during a service and also knows what is important. Everything isn't ornamented equally, rather the pulpit and the alter are given pride of place.
I hope you enjoyed this little architectural history lesson and visit to Fulda Cathedral. I've added Fulda to my travel wish list!
Long time readers may remember a brief post I wrote in 2009 on Falkenlust Schloss which was based on a hunting lodge built at the palace grounds of Nymphenburg, Germany. That hunting lodge is Amalienburg which I'll discuss here.
Described as heaven on earth by my Australian penpal who provided me with these pictures, the rococo palace is Nymphenburg's answer to the Petit Trianon at Versailles (although built 20 years prior in 1739). This small building was built for the king's wife, Maria Amalia, as a hunting lodge or escape from the main palace or schloss.
The pink and white stucco exterior is perfectly symmetrical naturally.
The main salon is mirrored and silver-leafed to within an inch of its life while the rest of the paneling is painted a dreamy light blue.
The reflection of light from the french doors in the mirrors plus the light color helps blur the boundary of the space - imagine it on a sunny day!
Even if you don't like rococo I think you'll appreciate the workmanship and fine details.
The carved woodwork features women relaxing in nature with all manner of plants, hunting dogs, and birds.
The furniture is as magnificent as the wall detailing.
The bedroom is no simple place to rest ones' head. The portraits flanking the bed are of Maria Amalia and her husband Karl Albrecht who commissioned the structure.
Would you ever think yellow silk, and silver and yellow painted wood could be so pretty?
The adjacent 'hunting room' functions as a picture salon with paintings by Peter Jakob Horemans showing the couple at court hunts and functions; sort of an 18th century version of a den covered with family photographs!
Again the furniture perfectly matches the wall decorations.
The most charming rooms feature hand painted linen wall-coverings in chinoiserie style. Below the room is called the 'pheasant room' and you can see why with the animal so prominently featured.
A closeup of this wallcovering reveals how playful and modern the lines seem!
The 'dog and gun room' features a similar linen wallcovering in blue and white -even more blatantly chinoiserie in style.
Dogs slept beneath built-in gun storage in this charming space; quite the fancy kennel!
Even the kitchen was not spared the over-the-top decoration lavished on the rest of the palace. Delft tiles were used in profusion covering every surface including the stove.
These tiles feature birds and flowers, certainly an inspiration to Howard Slatkin in his own kitchen!
As I mentioned I realize rococo is not everyone's favorite but the attention to detail and workmanship are incredible and should be inspiring to all designers!